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In any song on this compilation featuring more than two MC’s such as the nearly five minute long “Ride Wit Us,” these are the rappers who stand out. One can only hope The Inc’s membership will fare better.Ĭlearly if The Inc has supporting players capable of taking the team all the way to the World Series, those stars are most likely to be the team players like Black Child and Caddillac Tah who have been down for the long haul. Only Gehrig is as well remembered as Ruth 75 years later, and unfortunately that’s as much to do with the crippling disease that now bares his name as to his stellar accomplishments on the field. Future Hall of Famers like Earle Combs, Lou Gehrig and Tony Lazzeri were more than supporting players though – they were stars in their own right, just stars that had a hard time rising higher or shining brighter than Ruth.
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Clearly the principal star of this team was Babe Ruth, and like Ja Rule he was the man that the fans paid to see. This album is billed as “Irv Gotti Presents” though, so for the purposes of this review we’ll liken The Inc to the 1926 New York Yankees. It may now be somewhat confusing to observers though who the real power broker is in this team: the formerly behind-the-scenes Irv Gotti who is now suddenly interested in sharing Ja Rule’s limelight, or the ubiquitous Ja Rule whose numerous radio hits and guest verses on songs created the power to introduce crews like The Murderers and The Inc in the first place. Irv Gotti and Ja Rule have worked to bolster the roster by drafting star power talent like singer Ashanti and femme fatale rapper Charli Baltimore in the hope that bigger is better. Their principal star Ja Rule has already used his clout to introduce us to “The Murderers” on a prior album, and key members of this group such as Black Child and Caddillac Tah (formerly Tah Murdah) are now part of the bigger posse. Irv Gotti’s click The Inc faces the same problem. Rah Digga doesn’t eclipse Busta Rhymes in power or influence despite being just as talented (and perhaps more) and likewise The Outlawz have never surpassed Tupac Shakur despite a loyal fanbase that guarantees their albums will always sell – just never at his platinum levels. What’s truly rare is to see one such icon so successfully pass the torch on to another artist who can rise to the same status.
Irv gotti presents the inc zip movie#
Throughout the 1990’s we went down this road time and again with the likes of Busta Rhymes, Tupac Shakur, Nas and Redman among others – all of whom eclipsed their fame in hip-hop to become international icons, movie stars, and even power brokers whose clout could get their friends record deals and a subsidiary level of fame all their own. At certain moments in time when rap music and pop music intersect culturally to give birth to a superstar, his or her songs and cameo appearances on other people’s songs seem to be all you hear on the radio.